I'm a drummer and I've always struggled with getting good raw drum sounds. Until very recently, I always made the mistake of rolling off too much low end on my overhead mics. I think that may be the case here. Since you're only using one mic, and the drum set (as a whole) spans the entire frequency spectrum, you have to think even harder about EQ moves. By rolling off the lows, the kick drum becomes very distant sounding; no weight or impact. The snare and cymbals hijack the overall balance. I've actually had a lot of success with a mono "kit" mic in FRONT of the drums, waist high, about 3 feet from the bass drum, with the diaphragm of the mic pointed right at the belly and of the drummer. For a single source mic (in my environment) that seems to get the best tonal balance. Otherwise, I think you're on the right track. Hope that helps.
Drum track quality
What do you think about the technical quality of my drum track and what could be made better about the sound?
https://drive.google.com/file/d/0B2wPvp8bhWoUd2dCYVVnOWJZZFU/view?usp=sharing
It was recorded with a single mic to the right of the drummers shoulder pointing at the snare. All processing so far is EQ with FabFilterProQ followed by compression with TDR Kotelnikov.
EDIT: Added some pultec style low end EQ: https://drive.google.com/file/d/0B2wPvp8bhWoUZlJKbnAyVlFzc00/view?usp=sharing
https://drive.google.com/file/d/0B2wPvp8bhWoUd2dCYVVnOWJZZFU/view?usp=sharing
It was recorded with a single mic to the right of the drummers shoulder pointing at the snare. All processing so far is EQ with FabFilterProQ followed by compression with TDR Kotelnikov.
EDIT: Added some pultec style low end EQ: https://drive.google.com/file/d/0B2wPvp8bhWoUZlJKbnAyVlFzc00/view?usp=sharing